Comedy and Music: the Peanut Butter and Jelly of the art world.

Since the dawn of man, when cavemen grunted out beats while their friends mimicked getting thrown around by a mammoth, music and comedy have been inseparable. Well, except for all that non-comedic music, and the comedians who don’t sing. But other than that, you won’t find them apart. Some artists, like Weird Al Yankovic or Flight of the Conchords, have managed to parlay their musical stylings into some great albums and tv shows. Others, like Tenacious D, have used their successes in music to inflict Jack Black movies on the world. But for the most part, it’s a good thing. Today, I bring you some of the funniest music you’re likely to hear until you click to a different page.

Before he got into directing curious motion pictures like “Being John Malkovich”, Spike Jones was a big band leader who brought comedy and music together in as chaotic a way as was possible. His son, the unfortunately named Spike Jones Jr, once said “the thing people never realized about my father’s genius is that when you replace an A# with a gunshot, you have to replace it with an A# gunshot.” He then drank close to a fifth of vodka and cried himself to sleep. In the early days of television, networks starved for programming relented and gave Jones his own television show. The song “Cocktails for Two” celebrated the repeal of Prohibition. I will leave it to you to decide whether the existence of this song makes up for the creation of the mob.

Sensing a need for miscreants and lowlifes to have a role model in the music business, mathematics professor Tom Lehrer sat down at a piano one drunken afternoon and began cranking out some of the most depraved and antisocial songs that the 1950s could handle. Songs like “Masochism Tango” and “Poisoning Pigeons in the Park” may have stood out among the more danceable numbers in his oeuvre (shut up, it’s a real word), it’s his tender love ballad “I Hold Your Hand In Mine” that really speaks to the romantic in me.

The “Axis of Awesome” are a group from Australia, which means their careers go down the drain in the opposite direction as American acts. Before they go, however, they decided to take pop music with them, spreading its dark secret like a paparazzi porn layout. Enjoy “Four Chord Songs”, and then later, see if you can ever enjoy those songs again.

Tim Minchin is ALSO from Australia, but lives in London, because that’s where his house is. I’m swiping that joke from the end of the clip I’m about to show you, but it’s really really long, so maybe you wouldn’t even know if I hadn’t told you. It is, however, one of the most subtly hilarious songs about rock, nerds, and unholy intersection of the two. If you don’t like it, I’ll give you your money back, and then promptly forget that I know you, because it’s clear at that point that you suck.

Brett Domino was a talented young performer in a New Wave band circa 1983 when he was frozen in a tragic slushy accident. By the time the technology to defrost him was invented, music had passed him by. Undeterred, he updated to the latest, greatest old-tymey synthesizers, and threw his talent at “Britain’s Got Talent”, and YouTube. Here is his tribute to nature, and how it will inevitably kill you.

Finally, here’s Rachel Bloom, and her desire to sex up a guy in his nineties, “Fuck Me, Ray Bradbury”.

Oh yeah, I probably should have warned you. There may have been some salty language. That probably wasn’t safe for work.

I hope you’ve enjoyed this trip down the musical highways and byways of comedy. And I hope that you use this information to impress your colleagues, your teachers, or your priests.

Be seeing you.
Brian.

Posted in Music, Television, Undeniable Awesomeness on August 18, 2010 – 12:09 AM | Comments Off

At the Crossroads of Funk and Geek – Reggie Watts

So, let’s say you have the Seth Brundle teleportation machine from “The Fly”. You’ve already checked it for flies, because hey, you know how THAT turned out, but you’re still not sure you want to try it quite yet. Instead, you invite over to your house Grammy award-winning Bobby McFerrin (of “Don’t Worry, Be Happy” fame), improvisational comic Eddie Izzard, and gansta rap superstar Dr. Dre. You get them liquored up on cheap wine, then throw them into the machine with a lock of hair from Andy Kaufman. You flip the switch. There’s a crack of thunder outside, an explosion of lightning, as if nature herself were attempting to stop you from your unholy experiments. The machine screams as if in protest, but it’s too late. The process is complete. The doors open, and out of the smoke steps Reggie Watts.

Reggie Watts is a stand-up comedian, singer, dancer, actor, and probably an excellent cook as well. He just seems like the kind of guy who can do anything he sets his mind to with relative, infuriating ease. Watts was born in Germany to a French mother and American father, and raised in Montana. When he was 18, Watts moved to Seattle, where he began singing with various bands around town until he joined Maktub, a soul/R&B/hip-hop group, with whom he has released five albums since 1999.

He started using a looping machine to reproduce the harmonies on the albums. Later, when he began doing solo shows, he would use the looper to create music that he could sing over. His performances are a mixture of a bizarre, stream-of-consciousness stand-up comedy and music. Below is a video of some of his stand-up. It’s odd stuff for sure, but stick it out until the ghost story. That shit’s gold.

Here’s a video of Watts creating a song, “Binary Existence”. (NSFW language) I’m not sure if he’s making up the lyrics and voices on the spot, or if he’s planned it out beforehand. I’m guessing it’s extemporaneous, which would be pretty amazing given the languages and accents he uses. After that is an older video showcasing more of his jazzy vocal stylings.


Recently, Watts released a combination cd/dvd called “Why Shit So Crazy?” In addition to his stand-up/singing performance, there’s a video for his song “Fuck Shit Stack”, a profane deconstruction of the rap video culture. Obviously NSFW. By the way, it looks like he’s got a giant afro, but I think he’s just got a huge motherfucking brain.

Presently, Watts is on tour with Conan O’Brien, so if you get a chance to see him, go do that. I hope you’ve enjoyed this little tour into the mind of a quite strange person.

Be seeing you.
Brian.

Posted in Uncategorized on August 5, 2010 – 7:16 AM | Comments Off

Trailerfest 2: Trailerfester!

In the wake of the San Diego Comic-Con, a slew of geek-friendly trailers have hit the web. I have to say, there are some amazing looking movies coming out in the year or so. In the interest of drumming up enthusiasm for the movies I actually WANT to succeed, here is Trailerfest!

I’m going to kick off with a movie I just learned about called “Sucker Punch”. It’s directed by Zack Snyder, director of “300″ and “Watchmen”. I like Snyder’s sense of style and movement in his movies, and this trailer really kicks that all to 11. It’s got girls, guns, dragons, samurai, Nazis, robots, and a design aesthetic akin to Frank Miller and Howard Chaykin doing post-apocalyptic fetishwear. Really, what’s not to love?

Warren Ellis is one of my favorite comics writers, and it’s nice to see Hollywood finally catching up to the fact that he is pure awesome. Recently, the trailer for Warner’s VERY loose adaptation of “Red” has been released, and it looks great. In the process of expanding three issues out to two hours, they’ve added quite a bit of new stuff. The main character, a retired CIA agent played by Bruce Willis, discovers that he’s been marked for death by his former employees. In the book, he delivers pure carnage on his own. In the movie, he’s joined by Helen Mirren, John Malkovitch, and Morgan Freeman. The tone is considerably lighter, as well, more like this summer’s “The Losers” than the original book. But hey, I liked “The Losers”, so I’m ready for this. Besides, as Ellis himself points out, it’s got HELEN MIRREN WITH A SNIPER RIFLE!

Neil Marshall made his name with top-notch horror movies “Dog Soldiers” and “The Descent”, and followed those with an unabashed love letter to 80s sci-fi action flicks with “Doomsday”. Now, he turns his hand to historical action with “Centurion”, a story about a Roman legion forced to survive against a brutal enemy. It may have as much to do with history as “300″ did, but damn, it looks good.

Before I saw the trailer for “Rango”, I literally had never heard of it. Now that the full trailer is available, I can’t wait. This CGI-animated movie stars Johnny Depp as a chameleon stranded in the Southwestern desert. What caught me in the full trailer was a series of scenes that seem very influenced by spaghetti westerns, one of my favorite genres. Also, at 1:47, look for what appears to be a cameo of Hunter S Thompson, whose book “Fear and Loathing in Las Vegas” was made into a movie starring Johnny Depp.

Speaking of CGI movies, how do you feel about a movie with lowlife 30s-style gangsters fighting zombies? If your answer isn’t some variant of “pretty damned excited, Brian”, well, what the hell are you doing reading my blog? Philistine! For the rest of you, there’s the adaptation of Eric Powell’s awesome comic, “The Goon”.

And finally, the last time I ran out of ideas…I mean, the last time I had a trailerfest, I played the first trailer for December’s “Tron Legacy”. The original “Tron” is one of my favorite movies from childhood, and I think it still holds up today. Today, Disney posted the latest trailer for the sequel movie. I’m completely psyched for this movie. It looks fantastic and fresh, and yet it captures all the goodness that I remember from “Tron.”

Alright, folks, that’s all I’ve got for now. Go watch some movies.

Be seeing you.
Brian.

Posted in Comics, Movies on July 26, 2010 – 10:53 PM | Comments (1)

Tarantism – a 200 word story

The morning started with a waltz around the apartment. It’s nearly impossible to shower and dress when you can’t stop twirling, and I was getting dizzy by the time I was finished, but by then I had shifted to a sort of limp, shuffling Charleston.

The dancing started two weeks ago, just after I woke up. It started with a light Pogo, then I did the Monkey for an hour. I had some control over my direction, and I could use my arms, but I couldn’t stop dancing. I moshed my way to the door and drove to the hospital. All the way, my feet were tapping out a rhythm I couldn’t hear, legs twisting to the beat.

The doctors couldn’t find anything wrong with me. One subtly insinuated I needed a psychiatrist more than a medical doctor. I danced an angry tarantella out of there.

It hasn’t stopped, and to be honest, I don’t think I mind it now. I mean, it makes my daily life a hassle, but I’ve never had the confidence to dance in public, and now I have no choice. I don’t ever want it to stop. At least not until I dance my fear away.

Posted in Uncategorized on July 22, 2010 – 10:44 PM | Comments Off

That’s no moon, it’s a…oh, wait, it’s a “Moon”.

When someone in prison gets in trouble, they get solitary confinement. When people engage in meditation, they often do so in solitude. Somewhere in between lies the movie “Moon.”

Sam Rockwell plays Sam Bell, who runs a Helium mining operation on the moon. Bell is at the end of his three-year tour, and might just be going out of his mind. He’s seeing and hearing things, and his only conversational companion is the AI “Gerty”. After an accident at one of the mining sites, Bell wakes up in the infirmary. When he breaks company protocol and investigates the crash site, he discovers a body. The body is Sam Bell.

“Moon” is not a typical science fiction movie. It is as close to a one-man show as you can get. Sam Rockwell plays double duty as the fresh, new Sam Bell, and the end-of-his-rope Sam Bell, and plays them as noticeably different characters. Kevin Spacey plays the voice of GERTY, an AI who might be more than the sum of his program. Recordings of Bell’s wife and of corporate representatives also play a vital role. But there’s no gunfire, no battles, and no real enemies. This is a psychological examination of the self, and what it means to be human. First-time writer/director Duncan Jones has created a perfect piece of cerebral science fiction that everyone should see.

Be seeing you.
Brian.

Posted in Uncategorized on July 19, 2010 – 9:07 PM | Comments Off

It Figures – a 200 word story

There are days I almost forgot about the cloud. A day would pass, and I’d look back and realize that my keys weren’t lost, my car still works, and the job sucks no more than usual. I’d never presume, of course. That’s the quickest way to ensure that the stars align against you.

Case in point:

When I woke up next to April, a big stupid smile spread across my face. I’d never stuck around for an office happy hour before. I mean, I don’t like these people sober, would they be better drunk? It had been a reasonably uneventful day, though, and free margaritas sounded like a fine idea.

I think the best part of the evening was my boss Adam, oh, just a tad past his limit, driving his car into the parking lot’s light post. April and I had a long laugh about that.

Apparently he’d been distracted by the comet passing overhead. I hear the first of the dead took out the hospital he was in, so I guess there’s that. In the days to come, I’ll try to see the zombie’s stomach as half full, not half empty. For now, survival is the cloud’s silver lining.

Posted in 200 Word Stories on July 14, 2010 – 10:44 PM | Comments (1)

Something to do – a 200 word story

Day 37. I spent another hour pounding on the door, trying to get out of this room. Broke a couple of fingers on my left hand, I think. It’ll be healed by morning, so I just take it and keep going.

My mind is folding in on itself, doubting anything is real. Whoever is doing this, they won’t let me sleep, eat, read, any of the things that equate to living. This journal helps, except it erases itself if I leave it alone for too long.

I went into the bathroom and looked in the mirror. At least I still have a reflection, but it’s pale. Weak. It’s fucking pathetic what they’ve reduced me to. I smashed the mirror with a looping right. The glass flays my hand, blood dripping on glass shards in the sink.

There’s a recess behind the mirror, and a shoebox tied with twine. I cut the twine and remove the lid. In the box, there’s a loaded gun and a note that says “In case you need something to do.” Their doing? Seems a lot less existential an endgame than I’d expect. I’m not ready for that yet, but you know, it’s good to have options.

Posted in 200 Word Stories on July 11, 2010 – 2:09 AM | Comments Off

Chocolate with a kick

The Thai film industry has largely been overshadowed by the Hong Kong and Japanese movie industries. For years, HK and Japan have put out hundreds of genre films – horror, science fiction, action, and martial arts – to the great delight of Asian movie fans. The Hong Kong action style, typified by directors like John Woo and martial-arts choreographer Yuen Wo-Ping, was co-opted by Hollywood. Later, Hollywood took to remaking Japanese horror films like “The Ring”, “Dark Water”, and “Pulse”. In recent years, though, Thailand has produced some amazing films that are finally getting some well-deserved attention by Asian movie fans.

Martial arts films from Thailand are still in relatively short supply, but in 2003, filmmaker Prachya Pinkaew made the movie “Ong-Bak” and it’s star, Tony Jaa, a worldwide sensation. Featuring the martial art of Muay Thai boxing, a hard-hitting form of kickboxing, “Ong-Bak” was a revitalizing film for the genre. After another film with Jaa, Pinkaew decided to make a film using the same heavy martial arts styles, but with a female star. That movie is “Chocolate”.

“Chocolate” stars Jeeja Yanin as Zen, the daughter of a Yakuza and a female Thai gangster who are forced apart due to their crime organizations being enemies. Zen is born with autism and savantism. On a personal note, my daughter has a high-functioning form of autism, and my wife works as an advocate for autistic teens, so I was prepared for this aspect to be somewhat offensive. Autism is often misunderstood, and actors tend to fall back on the “Rainman” portrayal of an autistic person. However, Yanin and writers Nepalee Sakveerakul and Chookiat Sakveerakul clearly did their homework. Yanin’s portrayal of Zen shows many of the traits like flapping, rocking, self-harm, limited speech, and meltdowns, that would be all too familiar to a parent of an autistic child. Savantism is a rare condition, allowing a person with a developmental disability to excel beyond expectation in one particular area, like art, math, or perhaps martial arts. I suspect that Zen’s form of savantism, where she can learn any martial arts moves simply by observing them, is more of a plot contrivance than accurate medical condition.

When Zen’s mother comes down with cancer, she and her childhood friend, a boy named Moom, try to collect on debts owed her from her former gangster life, which they find in a book in the mother’s things. This leads, of course, to the real star of the show, the martial arts battles. Yanin already knew taekwondo, and then trained for two years in Muay Thai and other forms of martial arts, as well as gymnastics. Since Zen learns by watching martial arts movies on television, she does a passable Bruce Lee impression, and a few other styles of martial arts. Zen also jumps around like Jackie Chan in his prime, hopping and jumping across boxes and ledges, jumping into small spaces, and even sliding on her knees under a glass table as a bad guy throws a wooden palette at her. The fights themselves are brutal, as Yanin just beats the holy hell out of anyone who gets in her way. You know how at the end of every Jackie Chan movie there are outtakes of him messing up a stunt or a bit of fight choreography, and everyone laughs? There’s a similar bit at the end of “Chocolate”, except people go down hard, and then need medical attention. Seriously, it ends with a guy in the hospital in a neck brace.

“Chocolate” is a bit on the sappy side, and gets off to a slow start (for a martial arts film) as it establishes Zen’s autism, and then the savant aspects. But once it starts to pick up steam, just hold on, because shit goes down hard. The climax of the film is a 20-minute long fight scene that’s like “Kill Bill” meets “Enter the Dragon”, but with more ledge jumping, and more bone crunching noises. Here’s a taste:

My recommendation is if you haven’t seen “Ong-Bak” yet, see that first. I think it’s a slightly better film, even if Jeeja Yanin is much cuter than Tony Jaa. But definitely see this movie, because if you love martial arts movies, “Chocolate” a major treat.

Be seeing you.
Brian.

Posted in Uncategorized on July 8, 2010 – 12:00 AM | Comments (1)

Calling all DJ Heroes – the music of Hifana

In my last post, I asked you to think about the perfect song. Now I want you to think about the perfect BAND. What do you see in your mind? Most rock bands use the drum-bass-guitar-singer formula, with variations on the numbers of each. The Australian group Big Pig had three drummers. Ned’s Atomic Dustbin used a rhythm bass and a lead bass. Some bands throw in piano, and maybe leave out other instruments. Ben Folds Five had Ben Folds on piano, a bass player, and a drummer. The world-renowned musical group Cinder Bridge (whose keyboardist/singer Susan reads this blog) uses just keys and drums. From the late 60s to today, synthesizers became a driving force of a lot of new music, and music genres. Industrial music theoretically COULD be played on all analog instruments, or no instruments at all, in a traditional sense, as Einsturzende Neubauten got their start banging around metal, rock, and other materials. Nut most industrial bands mix synthesizers with analog instruments.

How about the turntable?

Turntables became prominent in the late 70s with the rise of hip hop. Rappers would rap over records, and the DJs would manipulate them to produce scratching and looped samples. Some DJs, like Public Enemy’s Terminator X, began to push the turntable technology to its limit, creating a sonic landscape unheard of at the time. But while the sounds were there, it wasn’t music in the traditional sense. It still needed the rapper to make it a complete work.

Fast forward to sometime this morning, when I first heard Hifana. Hifana is the Japanese DJ duo KEIZOmachine! (Keizo Fukuda) and Juicy (Jun Miyata). Hifana make a type of dance music called ‘breakbeat’, which is a complex, heavily syncopated electronic music. Hifana mix traditional instruments, including Japanese string and percussion instruments, and electronic sampling and DJing techniques. The music they make from these elements is intensely catchy, quirky, and very Japanese. And there’s no doubt in my mind that they have moved beyond mere sound collages and into real music. Check out this video, “Wamono”, from their second album “Channel H”. Even the video is a bizarre blend of Japanese imagery with western musical influences.

“Hanabeam” is the debut song of their upcoming album “24H”. It’s another one with some amazing animation, so watch it clear through to the end.

Finally, here’s a clip of the guys themselves, showing how they put together a song.

Because their albums have only been released on CD in Japan, the imports are roughly a gajillion dollars each, but if you like them, you can check out their work and buy MP3s at Amazon.

So, is Hifana a band? I would say yes. And they make damned fine music that’s like nothing you’ve heard before.

Be seeing you.
Brian.

Posted in Music on July 5, 2010 – 12:05 AM | Comments (1)
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The Perfect Song

There are some songs that are, within themselves, absolutely perfect. Now, art is a subjective thing, so I’m not going to try to tell you that these are the platonic ideal song. There are just too many factors to even consider for something like that, some of which aren’t even part of the song itself. Things like the setting, your mood, what you’re doing, and so on. Think I’m wrong? Try listening to your favorite song in the middle of a painful bowel movement, and see if it still retains all the magic. Or listen to it in your boss’ office. Either way, it’ll wind up tainted with shit.

No, I’m talking about songs that are so elegantly crafted that there’s nothing you can think of to improve them. Again, this is a subjective thing. If all you listen to is country music or death metal, you may not find REM’s “Losing My Religion” to be anything even vaguely close to perfect. I would argue that as a pop song, it has a perfect blend of lyrics, music, and vocals, and I find that even though I’ve heard it a million times, I listen to it whenever I hear it. Of course, since it HAS been played a million times, I won’t include that one.

Now, I’m not a huge Dire Straits fan. It’s that damned “Money For Nothing” song that did it. When that came out on MTV, they played it more often than any three commercials. But I’ve come to appreciate Mark Knopfler’s skills as a songwriter and guitarist, especially when I heard the song “Sultans of Swing”. It’s a little slice-of-life piece about a jazz band playing in a London club. Knopfler doesn’t play traditional blues style. He uses a heavy pick, giving it a unique sound that I really like.

I first heard Stevie Wonder’s “Superstition” on Sesame Street when I was a kid. I rediscovered it not too long ago on YouTube, and it still rocks like nothing else. That funky synthesizer sound, I could listen to that forever. Before he became a soft rock parody of himself, Stevie could wail. The studio version of this song is just as good, but I’m going to play the Sesame Street version to sate my nostalgia jones.

Trip-hop is a curious combination of electronica and hip-hop elements. In the 90s, Portishead seemed poised to storm the world quite somberly with their melancholy music. The album “Dummy” is itself nearly perfect, but I chose the song “Sour Times”, which was the first song I ever heard by them, and still one of their best.

And finally, there’s Motorhead. There just ain’t a lot to say about them that hasn’t been said before. Lemmy Kilmeister is a rock god, and for decades, the man has just blown us away with constant hard and heavy rock music. The song “Ace of Spades” is just a perfect goddamned song by any estimation. Maybe THE perfect hard rock song. If you haven’t heard it…prepare yourself.

Obviously, your list of perfect songs is going to be different, maybe MUCH different, from mine. Even this list isn’t necessarily representative of my listening tastes as a whole. I didn’t include Diablo Swing Orchestra, Suicide Machines, ELO, Fields of the Nephilim, Jethro Tull, or other artists I really like. It’s late, and I have to go to sleep at some point. Besides, I can always do this again later. But YOU, my friends, you can keep this going. Drop me a comment with your own perfect songs. I’ll make a list and devote a future post to your songs, with color commentary by yours truly.

Oh, one last song, just because I love you so very, very much:

Be seeing you.
Brian.

Posted in Music, Undeniable Awesomeness on June 30, 2010 – 11:12 PM | Comments (3)